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Other than being known as the production centre for Mandopop in its heyday, in recent years, Taiwan has also a burgeoning indie music scene. Ho lists a few reasons for these differences, including a lack of popular political mobilisation given martial law, along with the lack of alternative distribution networks. Her research interests include Mandarin popular music, music censorship, music and place. She is also an award documentary producer who actively incorporates filmmaking and screening as research methods.

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She is also a freelance music journalist who writes for various publications, including Q Magazine China. Her latest work is the cover story in which she interviews the rock band No Party for Cao Dong.

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Street Music in Liverpool City Centre(III)

Synopsis About this title Is business, for music, a regrettable necessity or a spur to creativity? Buy New Learn more about this copy.

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